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Preaching In Narnia
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Preaching In Narnia
By Harry L. Poe

In conversation one night with his friend J. R. R. Tolkien, Lewis raised this objection to the truth of Christianity. Tolkien replied that Christianity certainly was another myth of the dying and rising god, with one exception. It was the myth that actually happened in time and space: in Bethlehem, Galilee, and Jerusalem between the time that Augustus sent out a decree to tax the world (when Quirinius was first governor of Syria) and the time when Pontius Pilate was governor of Judea and Herod was tetrarch of Galilee (during the high priesthood of Caiaphas and Annas).3

Shortly after the late night talk with Tolkien, Lewis realized that he did believe that Jesus Christ was God incarnate. The stories had come to Lewis as preparation for the gospel, but they came at him “under the radar” of his intellectual defense mechanisms. Lewis would remark that, “A young man who wishes to remain a sound Atheist cannot be too careful about his reading.”4

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Tolkien’s remark about Christianity being the myth that really happened would clash with Rudolf Bultmann’s understanding of myth, but it also gave Lewis an insight into why the same story appears in so many unconnected cultures around the world.

In The Voyage of the Dawn Treader the children ask Aslan if he is in their world too. He replies that he is known by another name in their world, but that by knowing him a little in Narnia, they will know him better in their world. It is as though God placed the stories in every culture as stories that raise expectations but do not satisfy in and of themselves. The Chronicles of Narnia are like these myths, though most of the details have a direct correspondence to the Christian story. They are not, however, for teaching Christian doctrine but for recognizing human longing that only the gospel satisfies.

Lewis observed that a journey provides the best vehicle for exploring human spiritual struggles.5 John Bunyan understood this principle when he wrote The Pilgrim’s Progress, as did Dante when he wrote The Divine Comedy. The stories in The Chronicles of Narnia, as in Tolkien’s The Lord of the Rings, involve a journey in which people change. The only ones who remain unchanged are the ones who do not undertake the journey.

The narrative foundation for Lewis’s Narnia stories and his space trilogy is the Christian understanding that life involves a journey. Consider the place of journey and its spiritual implications in the Bible:

Adam and Eve leaving Eden

Cain going to the Land of Nod

Noah’s voyage on the flood

The dispersion of people from Babel

Abraham and Sarah leaving Ur and going to Caanan

The children of Jacob going down to Egypt

The nation of Israel leaving Egypt

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